The Libertines

The Libertines
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  • Post last modified:06/01/2025

The Libertines: Ragged Glory and Romantic Ruin in British Rock

Formation: Camden Dreams and a Pact of Brotherhood

The Libertines formed in London in 1997, built around the volatile friendship and creative partnership between:

  • Pete Doherty – vocals, guitar, lyrics
  • Carl Barât – vocals, guitar, lyrics
  • Later joined by:
  • John Hassall – bass
  • Gary Powell – drums

The band’s early ethos revolved around punk romanticism, poetic decay, and a fierce belief in “The Albion”—their idealized vision of Englishness, outsider culture, and art over commerce. Their ramshackle charm, DIY ethic, and off-stage drama made them legendary before they even released a full album.


Musical Style: Shambolic Swagger and Lyrical Idealism

The Libertines fuse:

  • Raw garage rock energy with British punk and indie jangle
  • Influences from The Clash, The Jam, The Smiths, and The Kinks
  • Lyrics soaked in urban poetry, disillusionment, decadence, and loyalty
  • Dual frontmen who often trade verses, harmonize loosely, and convey emotion through imperfection
  • A sound that is sloppy but soulful, messy but magnetic—always teetering on collapse

Their music embodies the contradiction of youth: idealism shadowed by self-destruction.


Discography: Chaos Captured in Vinyl

Up the Bracket (2002)

Produced by Mick Jones of The Clash.
Their raw, fiery debut—a cornerstone of the garage rock revival.
Tracks: Time for Heroes, Up the Bracket, Boys in the Band, I Get Along
A declaration of intent and a snarling, poetic classic.
Frequently ranked among the best British albums of the 2000s.

The Libertines (2004)

The band at their most brilliant and broken.
Doherty was in and out of the band, but the album bleeds emotional truth.
Tracks: Can’t Stand Me Now, Music When the Lights Go Out, What Became of the Likely Lads
It sounds like a breakup in real time, both musically and personally.

See Also:  Portishead

Anthems for Doomed Youth (2015)

Reunion album after a decade of estrangement.
More mature, less frantic, but still emotionally resonant.
Tracks: Gunga Din, You’re My Waterloo, Heart of the Matter
A reflective return, filled with nostalgia and weariness.


Live Shows: Glory, Chaos, and Unpredictability

  • Early gigs were infamous for starting late, descending into anarchy, or being cut short
  • Fans were treated like family—shows felt intimate, dangerous, and deeply personal
  • Pete and Carl often shared a mic nose-to-nose, a symbol of both their bond and tension
  • Later tours became more polished, but still carried the weight of legend

Lyrics and Themes

  • Romantic disillusionment, urban decay, loyalty, betrayal, and poetic escapism
  • Imagery of Albion, sailing ships, Camden streets, and drugged-out mornings
  • Songs function as diary entries, letters, or arguments between lovers/friends
  • Pete Doherty’s lyrics are Byronic and decadent, while Carl’s are sharper, often more grounded

Key lyric themes:

  • Can’t Stand Me Now – The pain of friendship dissolving in public
  • Time for Heroes – Protest, violence, and lost innocence
  • What Katie Did – Tenderness amid addiction
  • Gunga Din – Reflection on aging and consequence

Breakup and Reunions: Fractures and Forgiveness

  • Band tensions, largely due to Doherty’s drug use and erratic behavior, led to their 2004 breakup
  • Doherty focused on Babyshambles, Barât on Dirty Pretty Things
  • A legendary 2010 reunion at Reading and Leeds marked a new chapter
  • In 2015, they released their third album and opened a hotel/music hub in Margate (The Albion Rooms)
  • The band remains active as of 2024, with new material reportedly in development

Legacy and Influence

  • Helped revive British guitar rock in the early 2000s, alongside The Strokes and The White Stripes
  • Major influence on Arctic Monkeys, Fontaines D.C., The Kooks, Shame, and IDLES
  • Their mythology—the romance, the mess, the brotherhood—has become a blueprint for indie authenticity
  • Up the Bracket and The Libertines remain two of the most emotionally potent British rock albums of the century
See Also:  Neutral Milk Hotel

Curiosities

  • Can’t Stand Me Now is essentially an audio argument between Carl and Pete
  • The Libertines were signed by Rough Trade after just one rehearsal
  • Pete Doherty published a memoir and multiple poetry collections
  • They were often compared to The Clash, but Pete idolized Oscar Wilde as much as Joe Strummer

Where to Start Listening?

  • Up the Bracket – For pure, poetic punk energy
  • The Libertines – For heartbreak, beauty, and collapse
  • Anthems for Doomed Youth – For a mature, thoughtful return
  • Time for Heroes (compilation) – For a snapshot of their iconic singles

Official Website and Streaming Platforms

www.thelibertines.com
Socials: @libertines
Available on Spotify, Apple Music, YouTube – full discography, live performances, and side projects

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